Friday, October 19

Reading at Wollongong Writers Festival 2018

Reading at Wollongong Writers Festival 2018





I read my most recent work, A Tale From The Cabbage Tree Forrest in August (see poster) and I'm excited to announce that I will be reading my eco tale again at the upcoming Wollongong Writers Festival at the beautiful Wollongong Art Gallery on 24 November, 2018. 

(If you are looking for Freddy Iryss on the program you won't find the name anywhere - I let you in on a secret: I also read and write (non-Fiction) under another name, Friederike Krishnabhakdi-Vasilakis!)

I will do so alongside writers I have looked up to for years: Joshua Lobb, his book The Flight of Birds, will be released by Sydney University Press in 2019, Christine Howe, author of Song in the Dark (2013), which was published by Penguin in 2013, and of course Catherine McKinnon whose latest novel, Storyland was published by Harper Collins in 2017. Catherine and I talked about her book last year at the Sydney Writers' Festival Live&Local before it was short-listed for the Miles Franklin Award 2018 and voted one of the 5 most popular books in 2017 on Jennifer Byrne’s ABC Bookclub! 

I hear you asking what am I doing amidst such a stellar line up? Good question. Well, I'll be there for the young ones in the audience --and those who like to listen to stories about frogs, whales and lyrebirds and majestic Cabbage trees (the ones that once stood tall in Figtree).


Things We Want To Know But Forget To Ask

Stories about the painted past and the precarious future. 

Join Illawarra writers as they come together to read short works inspired by paintings from the Jewels in the Crown exhibition at Wollongong Art Gallery. These diverse writers of poetry and prose, fiction and nonfiction are interested in the land and waterways of the Illawarra, in the relationships between humans and other species, in wind, weather and waste, and the changing nature of life on this planet. Featuring readings by Tess Barber, Christine Howe, Luke Johnson, Friederike Krishnabhakdi-Vasilakis, Joshua Lobb and Catherine McKinnon.

On Saturday 24 November 2018 at 2:30pm-3:45pm
Tickets $15
LOCATION
 Wollongong Writers Festival -Visit our website to see the full program nt.
Wollongong Art Gallery
46 Burelli Street, Wollongong, NSW 2500


Sunday, October 7

Dr Boogaloo and The Girl Who Lost Her Laughter - Review

Dr Boogaloo and The Girl Who Lost Her Laughter

(Penguin Random House Australia, 2017)

Written by Lisa Nicol, illustrated by Daniel Gray-Barnett

Tags: Children’s novel, Reading, Music

I’ve been wanting to write this review for a long time, especially since I unofficially declared this book my favourite children’s novel of 2017. I even met the author, Lisa Nicol, at this year’s Kids&YA Festival at Writing NSW and was able to tell her that in person. So, here it is.

The Plot


Dr Boogaloo is a specialist in curing ‘unusual complaints’. In fact, it is said that he treats ‘every kind of childhood disorder you can think of, from Can Only Sleep If Wearing A Pair Of Goggles And A Snorkel Syndrome to uncontrollable swearing every time the afflicted opens his or her mouth.

In other words, Dr Boogaloo steps in, where ordinary treatment fails.

He treats illness not with pills and portions. No, no, no! He has one cure only – music! The key, he knows, lies in the dosage and kind of music, of course.

“Musical medicine is an exact art. And it’s extraordinarily complicated.”


The way Dr. Boogaloo explains it is this – everyone has their own tune but

“Sometimes, for one reason or other, we get all out of tune. We lose the beat, you might say.”


A girl named Blue, yes after the colour (I will come to that in a moment), suffers from an awful illness for quite some time: 712 days, to be exact. Only one person might have a clue as to how to cure this debilitating and isolating, stigmatising affliction of No-Laughing Syndrome that causes Blue to be misunderstood and lonely.

That person is Dr Boogaloo.

But Blue’s loss of laughter is a challenge unlike any other he’s faced before. In three hundred years, not one patient left Boogaloo’s Family Clinic of Musical Cures uncured, but when he can’t seem to find a cure for Blue he is about to give it all up.


Theme(s)


Blue is different because she cannot laugh. Blue is not a name, but a state of mind. Not that we don’t understand why – her mother treats her like a fashion accessory – she changes her daughter’s name regularly, depending on the colour theme of her designer home; her ever absent, animal shooting father make her feel different:

"Blue found many things about her parents difficult to understand […] Blue felt as though she was born into the wrong family."


Dr Boogaloo and The Girl Who Lost Her Laughter is a book about the power of music.

It shows the ability of music to transform thoughts and feeling; its ability to nurture the act of listening – to others and to one self.  The story illuminates the role music plays in everyone’s life  and wellbeing.

“Not everyone hears the right music – or knows how to listen. And they suffer terribly… if you don’t let your heart fly, your tune gets right out of whack. It’s a bit like spending your whole life indoors – it’s just not good for your health.”

The book introduces the reader to a global collection of musical instruments, their sounds and the way they are plaid. Nurturing creativity/music from early childhood can bring not only joy, but basic life skills that can be a tool to feeling and expressing connectedness with one self and others.

Pictures


Musical notes, people, animals and other objects depicted throughout the book, as well as on the cover, seem in a state of flux: they move in different beats and rhythms, or float on melodies across the page.

Illustrator Daniel Gray-Barnett captures Blue’s isolation particularly well in the image of the cover where some invisible force pushes her outside world – people, music, animals – centrifugally to the margins of the paper.

Whatever sound or vibration causes this – it has no rhythm, melody, pitch, or timbre. Blue is visibly out of tune.


The Words


Apart from the fact that Dr Boogaloo’s wife Bessie uses an iBike that transports them both to higher grounds while paddling to the clinic everyday, the book offers a number of beautiful sounding words.

(There are so many, I can’t choose, so I leave this for the reader to explore!)

Back to the iBike ride:

"Off they went. Bessie’s skirt billowed out like butterfly wings. Blue closed her eyes and felt the iBike lift up into the sky."


It also makes Blue feel the music in her body:

"You can feel your heart flutter as soon as the music hits you, right? That’s the wings being attached. Snap, snap! Then if you pay attention, you can feel your heart nudging your ribs, dipping into your stomach and flying out through your skin. That’s that tingling feeling."

And

"Sometimes our strings get tangled up. That’s called falling in love. That’s why you can’t fall in love without music."


Sometimes, the sentences have a song-like feel to them:

"The research was in.

The facts were firm.

The truth was crystal clear!"


But also:

"Any little hee hees in that time?" Asked the Doctor."No,""ho hos?""None.""What about tee hees?""No," said Blue, barely a whisper."haw haws, yuk yuks?"



Dr Boogaloo and The Girl Who Lost Her Laughter is funny, sad and witty and makes you laugh every other page.  It makes you want to learn a fabulous instrument - who wouldn't want to try out the djembes or the swan-bone flute? It’s a great book for middle-grade readers or for reading together out aloud. A good book when you feel the need for a good tune or a good laugh. :-)

Thursday, August 16

Sad the Dog

Sad, The Dog

(Walker Books, 2015)

written by Sandy Fussell, illustrated by Tull Suwannakit

Tags: Picture books, Reading, Dogs
Here is the promised review on Sad, the Dog, (Walker Books, 2015) written by Sandy Fussell and illustrated by Tull Suwannakit. It is one of my favourite picture books that feature a dog. Read more or listen here.

This is my first picture book review, so I hope I don’t break any rules and conventions –and if I do –I hope you will read on anyway.

The Plot

The story is about a little dog that ends up as an unwanted Christmas present. While his owners look after his physical needs –they feed, bed and groom him– they don’t understand him, don’t love him and therefore don’t name him. So the dog calls himself Sad. When the owners move away, they leave him behind, hungry and confused. The next day, however, a family with a young boy moves in and the boy is delighted:

"Mum, you forgot to tell me our new home has a puppy. This is the best surprise ever."

The boy called Jack gains the puppy’s trust by being patient and caring. The dog feels understood and loved for the first time, and he appreciates the little and big things Jack does for him, like giving him a padded basket to sleep in, special treats for breakfast, and games they can play together. But best of all, he gives him a name and one that suits him much better than the old one: LUCKY.

Theme(s)

Sad, the Dog is a heart-warming story about loneliness and emotional neglect, about being unappreciated and misunderstood, and how this situation can turn around. It is about hope and the power of love.

The book tackles difficult topics, among them pet ownership. What happens to those unwanted Christmas or birthday gifts? (One in five Australians own a dog, so there are nearly 5 million dogs and, sadly, every year, tens of thousands of dogs get abandoned and worse).

The book’s strong story lines, themes and messages make it a great book to read with and for children ages 5-8 years.

Why I keep buying this book for my little and not so little friends? In Sad, the Dog the two elements of picture book storytelling come beautifully together. The two elements being a) the pictures and b) the words.

The Pictures

Sad, the Dog is a pretty book.

What I mean by that is that its cover has great appeal. As a visual person, I judge a book by its cover.
I know, I shouldn’t, but I do. Every. Single. Time.

When I go to a bookstore, I never go directly to any particular section (I like reading all sorts of books), even if I know what I want to get; instead I scan the place and let colours, fonts and imagery catch my eyes, before I even pick up a book and read the blurb.

I guess everyone has their own method in how they conquer the sheer volume of information and make a selection. If a cover doesn’t call out to me, I rarely get to hear what the inside of the book has to say. It’s a bit like buying new shoes or jeans –if you don’t like the look, why bother trying them on?

But back to Sad, the Dog and its pretty cover: On the front cover there is a tree, a dog, a huge grey sky and lots of fallen leaves. A single leaf is just about to land on the small dog’s head, who, sitting on a bed of fallen leaves, is looking out into a rain-heavy sky. He looks lonely. There is nothing on the horizon.

If you removed the title and names of the author and illustrator, the watercolour painting would carry the story of Sad, the Dog beautifully on its own. With a leaf-less, lifeless tree dominating more than half of the book, the dead leaves in colourful pastel tones don’t seem quite dead yet; so yes, it’s pretty, but it also is gloomy. Because the dog sits there all alone, you immediately wonder and want to find out why. All of this is captured in Suwannakit's cover.

On the back, the blurb reveals just enough to understand that the little dog is unloved, unwanted and – sad. This feeling is all consuming and he has become Sad, with a capital S, it’s no longer what he feels but who he is. There is an empty letterbox, a pigeon and a crow.
In some cultures, pigeons represent peace, faith and fidelity, while crows are often portrait as the bringer of bad news in a number of mythologies. Sad, looking on as they fly passed, doesn’t know what the future brings: good or bad news.

I also like the fact that Sad is neither pretty nor particularly cute. It helps staying focused on the message that he, like all dogs, needs to be loved and respected. The little short-legged, small eyed, overweight cross-bred of a dog is perfect.

Inside the book, Sandy Fussell weaves a clever pattern of contrasting ideas, which brings me to the second element of the picture book storytelling, which is done so well here:

The Words

The words tell the story by contrasting the viewpoints of owner/dog:
Sad the dog was very clever. He could sing wonderful songs.
“Stop that Yapping,” Mr Cripps boomed
and
He could read stories.
“Stop ripping up the newspaper,” Mr and Mrs Cripps yelled
Through juxtaposing views of the first owners vs the dog’s intentions, the text invites the reader to look at both sides of the coin, while the details such as the names carry further clues about their owners:

Sad, is the name of the neglected, unhappy dog, while Mr and Mrs Cripps, the unloving owners sound a little bit like ‘creeps’. And then there is Jack.

Jack, a common English name since the middle ages (so common in fact that it was often used in lieu of the terms ‘boy’ or ‘man’) means ‘God is gracious’. But a jack is also a tool that lifts heavy loads. The boy, Jack, lifts Sad’s heavy heart and the burden of being unhappy.

Ok. That last part may be me, getting carried away a bit. But I like the idea that names can add, ever so subtly, an extra layer of meaning.

Sad, the Dog is a beautifully told story, full of symbolism in pictures and words and I would recommend reading it aloud and in company. It inspires conversations about responsibilities to care for pets, about hope when all seems lost, and it is a book about friendship and finding a true home…

…I could go on, but maybe it’s for you to find all the little and big messages hidden in this book for yourself ?

The Journey Begins

This is my first blog post and I’m nervous. Nervous not because I haven’t done a blog post before, but because it’s on my very own BLOG, where I want to write about my own interest as a reader and writer of children’s fiction.

So first up, thank you for making it to my second paragraph.

Originally, I wanted my first blog post to be about one of my favourite picture books about dogs, called Sad the Dog, by Sandy Fussell. But then - so much has happened lately, I thought I should start with some other, very exciting news about my ‘new life’ as a blogger. So sorry, Sad, you will have to wait a bit longer to get your time in the spotlight.

Where to begin? The past month was filled with firsts: I went to my first Kids&YA Festival at Writing NSW (who also just morphed from the NSWWriters Centre in this new, exciting entity, called Writing NSW); I wrote my first eco-fairy tale, A Tale from the Cabbage Tree Forest (which I will be reading live on 4 August, 2018, at the Wollongong Art Gallery – more on that soon!); and – I’m super thrilled to announce that I won the Buzz Words competition in July, 2018. If you are a subscriber of the Buzz Word Magazine at http://www.buzzwordsmagazine.com/ you can read about it in the 15 July issue. Maybe I even share my winning entry in a future post!

So, look out for the next few blog posts as they will cover 1) an introduction of a very patient and brave dog, called Sad, 2) the makings of an eco tale – how it came about and where it’s headed in the next few weeks, 3) who I met at the Kids&YA Festival in Sydney and maybe 4) a post of my winning entry. Oh yes, and I might blog about bicycles, for sure, as I have written stories on and about bicycles, and I admit, I'm a little bit obsessed with the idea of riding my bike.



For now, I’m doing some more pillow research on my next story. Some of the best story ideas come while sleeping. Wouldn’t you agree?



"The right vehicle makes the tour more fun." — FKV 2018