Sunday, December 16

The Year 2018 - Failures and Fireworks

The Year 2018 - Failures and Fireworks!
Looking At My Goals, Taking Stock


As the end of the year draws near, many of us are inclined to take stock and I, too, see it as a good opportunity to look at my various lists I have made at the beginning of January to map out my year.

I want to share my to-do list with you here and how much (or little - you be the judge) I have managed to 'tick off'. 


2018 was to be my year of committing to my writerly goals:

1.     Get my MG novel signed for publication
2.    Finish, finish finish those EDITS of my MG novel!
3.    Find an AGENT
4.    Attend WORKSHOPS -
5.    Write more shorts and SUBMIT to competitions
6.    Get a MENTOR
7.    Create my own WRITERS PLATFORM: blog/twitter/ instagram
8.    Attend LITERARY FESTIVALS
9.    Write, write, WRITE!
10. Read, read and READ!

 (Spoiler alert: I didn't get to tick off all items on my list!)

So, let's start with the news and get to the...

Failures...are only temporary

Ok, so I have failed to achieve these goals (below) and what does that all mean?

1. Get my MG novel signed for publication 

You probably have guessed the first one: at mid December, my MS is not even ready to go out to an agent, let alone to a publisher. I thought after an estimated forty plus redrafts, edits over the past 18 years or so you'd think I'd feel confident to let it go out - but no! Feel free to laugh (I won't hear it anyway and it might make you feel good!).

So, it's a resounding NO.

2. Finish, finish, finish those MG and YA EDITS! 

Sort of. I have sent off the MG manuscript to a friend for the final ripping apart before I ruin Christmas with endless edits! (cry if you like, but you shouldn't as I won't).

My YA, I have decided needs a complete redraft. So that's a big one.

That's a NO (for now).

3. Find and Agent

Well, its kind of tied up with the above failures, so I put it on the 2019 list:-) 

That's another NO.

So that's my failures wrapped up - not that bad, less than a third of the goals I set I haven't met. 

Anyway, 'failure' is such a strong word, usually fraught with negative notions, but most of all it sounds absolute and unshakeably set in stone. I prefer the German translation - VersΓ€umnis, which implies more of an omission/loss of time kind of explanation as to why I didn't achieve those goals. So maybe it came down timing?

I don't  think we should fear failure. And because I feel like it and because I can, thanks to the internet, here are a couple of quotes:
 “It's failure that gives you the proper perspective on success.” - Ellen DeGeneres
and of course this old one:
“I have not failed. I've just found 10,000 ways that won't work.” - Thomas A. Edison

And who says 2019 isn't big enough to accommodate three more goals?


Fireworks

In 2018, I have been able to make some liberating changes: I'm taking a sabbatical after I quit my job, am making more time for family, friends -- and am writing, so it's been pretty amazing. 

In the end, I keep finding fabulous things that have pushed me through like meditation, family, friends, music, making and admiring art, reading, writing, baking, cooking ...

Which is also why I make time for writing workshops every year.











4. Attending workshops - Why Workshops Works 

Have you ever met with a successful writer who hasn't given you the advice to write as much as possible, and to do whatever it takes to hone your writing skills? One of the ways to do that, as almost everyone will point out to you is to attend creative writing workshops.

I have facilitated workshops on the things I know well over the past seven years, which is why  I know the benefits they bring. And since I love learning in all forms and shapes - honing my skills in writing knows no boundaries - and workshops are a great space to learn from and with peers.  

I attend a minimum of three workshops a year.

As a writer and reader, I try to be open and not to discriminate (although I DO judge a book by its cover but that's another story!) and so I try my hand at all sorts of genres and forms. 

Last year and the year before, I even participated in poetry workshop although I never - even by a long shot - consider myself a poet (since then though I have got third place in a competition and a poem of mine has been published! As this clearly shows, it pays to break the mould of self-perception!

This year, I covered romance, how to get an agent, writing for the primary school education market workshop and and an empathy writing workshop and learned very distinct, but equally useful things in each of them.


Romance Writing Workshop - with Catherine Evans

Where: SouthCoast Writers Centre and Shellharbour City Library

Catherine is a funny and engaging workshop facilitator, who is a fountain of knowledge - I never knew there were so many types and sub genre to the Romance category! 

The rules and regulation of this quite strictly demarcated genre are intimidating and fascinating at the same time. Catherine writes also erotic fiction. 

My reading in that area doesn't currently go beyond Nicholas Sparks' literary Romance but it was interesting to see that certain romance book publisher demand that the love interested parties must meet within the first couple of pages and  have a kiss - what was it? No later than page 4?

"Readers pay for a promise of romance. Get to the first kiss early on."

The big shock for me was that many romance genres like Mills &Boone don't have backstories! My characters are usually so bogged down with back stories in the first drafts that culling it down the the main ones is hard enough. I cannot imagine writing characters without their own context. Who knows? There might be fantastic backstories which aren't in the published version, only in the head (and pc) of the author?

I think there is a lot to be learned from romance writing. For one, writing intimate scenes and situations with great attention to graphic detail about is certainly a good way to get over one's own inhibitions. Physical intimacy is not easy for everyone to depict and this genre and its sub genres are probably the only ones that can offer training with authority. 

More on Catherine Evans here


How to Get an Agent Workshop - with Mary Cunnane

Where? South Coast Writers Centre and Wollongong Central Library
It's not often that we get the opportunity to learn from the best: 

Mary has worked in the publishing hub of New York for many years and in Australia, and who was a founding member of the Australian Literary Agents' Association and its vice-president from 2008-2011. 


"An agent helps the author to make a decision what rights to sell when signing a contract."

She lives  on the South Coast and came to Wollongong to run a workshop on writing an overview/precis, what sample chapters to include, how to self promote and market, and some really helpful tips for writing a query letter.

Needless to say, the room was packed!

Find more info on Mary Cunnane here.


The Things We Don't Talk About: Writing Empathy - with Helena Fox

Where? South Coast Writers Centre/University of Wollongong Campus


Helena was s a wonderfully kind, sensitive and generous workshop leader, who provided a safe space to explore trauma and pain.

Her gentle, yet clear directions have made the mostly exercise based workshop an exploration of self and others in the group and in life. 

The questions we explored in each exercise will be useful for any future writing. Especially the tips on getting started, on how to make those words roll out in a constant stream, be that as word-vomit (Thanks, Chloe!) or as a stream of consciousness, I will revisit my notes in the future, for sure!

"What do I want people to know and understand?"

We had food, we had fun, we had tears and produced pages upon pages of writing, most of which we shared! To practice writing from someone else's perspective is a great way to develop a character, be that a protagonist or an antagonist of any story, in fiction or non-fiction!

More on Helena Fox here


Writing For the Primary School Education Market - with Louise Park

Where? Writing NSW, Sydney

Louise Park is a funny and very generous presenter and has shown great insights into what Education publishing offers.  

Louise is such an expert in the field and demonstrated how this is one of the best training grounds for emerging writers. But goodness me - if I thought Romance writing was complicated in its formulas and rules than Louise got me thinking again. 

For example, a picture book comes in the guise of phonic text books, text books for different reading abilities and ages, and they are instrumental in process-learning.

Here we learned that good counting skills are essential for this type of writing to

"...control the reading environment by using high frequency words!"
But it's worth hanging in there, despite all the formula, templates and strict rules:
"Many well-known children’s authors began their careers writing for the education market and continue to do so alongside successful trade careers."  
More on Louise Park here


5. Write more shorts and SUBMIT to competitions

I only managed a couple, but I won one of them and the second is due by the end of the year. So I'm happy and less annoyed with me that I - again - have missed a bunch of really good ones again this year! 

But I won't sit on my laurels, promise!


6. Get a Mentor

Although writing has been pivotal throughout my professional life, as a journalist, curator and tertiary educator and researcher, I'm still emerging as a fiction writer. 

We all have mentors throughout life. These might be a teacher, a grand parent, a parent, a friend or colleagues.I'm especially fortunate to have writer friends who have taken me under their wings and whom I consider my mentors as I do look up to them all. Mentoring is an important part of growing as a writer, by learning from the ones who have walked the path before and who are generous and kind enough to share their experiences.

But one can only ask so much time of someone, no matter how kindhearted and generous they are - time is a writer's most precious commodity after all -  and there is a fine line.

There are some mentorship programs out there. If you have been toying with the idea of getting a mentor read these five reasons by The Write Life  or find one here The Australian Writers Mentoring Program and at Writing NSW.

I personally would like to get specific writers to mentor me and so my plan is to find funding for it.

It would be great to have a formal mentorship with a writer. I'm working on that and see what's available to make that happen. I will report if there are any developments in 2019!


7. Create my own WRITERS PLATFORM: blog/twitter/ instagram

Yes! I did it! Finally, I found the Pen name that fits me and has a story, too.
(oh, I can feel another blog post coming on in the near future!)
You find me on my social media:

-  Blog - well you are reading it:-) - http://freddyiryss.blogspot.com/

- Twitter - @FreddyIryss

I don't like Facebook so I will keep off it until I change my mind which might be - not in a long time!


8. Attend LITERARY FESTIVALS

Sydney Writers festival
Up until recently, organising events at literary festivals was part of my job and so I have been involved on that end for over seven years. 

I have been in conversation with guests of the Wollongong Writers' Festival and the Sydney Writers' Festival over the past seven years and had the luck to meet Peter Garrett, Ron Pretty, Sarah Nicholson, Tony Birch, Bruce Pascoe, Jim Everett, Catherine McKinnon, Alison Tait, Jeff Apter to name but a few.





SWF LIve&Local Wollongong
This year, I have been to the launch of the Sydney Writers' festival where I have been most inspired by AndrΓ© Aciman's keynote and the launch of the Wollongong Writers Festival. I have also attended the Kids & YA Festival at Writing NSW. 

It was my first Kids & YA Festival and I enjoyed every minute of it.

There was a good mix of panels on business of writing, fantastical worlds and writing with passion, humour, images and wrapped up with a pitching session - which was amazing! 

Kids&YA Festival



Not only was it great to see how people 'pitch their work' but also how they cram in all the info into 60 seconds!







Wollongong Writers Festival
This year, however, I was involved on the other side of the microphone for the first time. 

I had the chance to run a grant writing workshop at the Wollongong Writers' festival and present my eco tale with Q&A alongside my fellow writers, responding to artwork at the Wollongong Art Gallery, which was so much fun!
"For someone who did not know anything about the process, I learned a great deal and would recommend it to anyone considering applying for a grant." (Participant)
Festivals are great for learning, meeting other writers, connecting with new people, get inspired and grow your networks. 

I caught up with the amazing Kirli Saunders, Alan Baxter, Catherine McKinnon, Luke Johnson, Su Barnett, Christine Howe, Joshua Lobb, Tess Barber, Sandy Fussell, Chloe Higgins, Haley Scrivener, Tim Heffernan, Helena Fox.

I also met a bunch of new and inspiring writers and illustrators like the multi-talented and cultural visionary, Matt Ottley.

Every festival had such literary variety and shone light at new horizons.


9. Write, write, WRITE!

Well, I'm trying to stick to a writing routine and write at least 500 words of something each day. This blog and even Twitter and Instagram posts count towards that goal when I'm desperate! 

My current writing projects are: 1) a MG novel (stage: final editing), 2) a YA novel (stage: 7th revision - probably a major redraft coming up early 2019), 3) picture book (stage: complete) 4) eco tale #1 (complete) 5) eco tale #2 (stage: first draft)

I'm not going anywhere without my notebook anymore. (I have accumulated so many over the years, I decided I had to start using them.) I fill them with the usual: writerly observations, thoughts, poetic lines that come to me between aisle 2 and 5 in the supermarket, but also drafts, mind maps and story boards. 

And pictures. Pretty pictures. I mostly doodle and sometimes draw.


10. Read, read and READ!

I have bought so many books this year, I lost count (lucky I took pictures of some at least!).

Because reading (and new glasses) were big on my list this year, I stocked up at every occasion: at writers' festivals (which are great because often you get the author to sign), book fairs and while out shopping for socks and milk.

I think, apart from a selfish need to fill my house with books, it is important to buy books and support the sector and encourage authors to keep on doing at what they are good at - writing.

I must have bought close to 50 books this year!

Good to know: 
There is scientific proof that it is good to surround yourself with books (if you ever need to justify your spending spree), here is what Emily Petsko writes in Study Confirms Growing Up in a Home Filled With Books Is Good for You:

"People who buy more books than they can possibly read can now use science to justify their spending sprees."


But I, for one, intend to read every single one of them. 

Or at least I will read up to page 50 from now on. If I can't get into the story by then, as a friend assures me, 


"It's fine to put the book aside - or give it away!"

after I told her that the book I was reading at the time didn't interest me and that I wanted to like the book so I kept reading, while I was pining  to start another one in my ever growing book pile!  

Apparently, according to Michelle Debczak, there is a Japanese word for when you buy books and never read them.

"in English, stockpiling books without ever reading them might be called being a literary pack rat. People in Japan have a much nicer term for the habit: tsundoku."

I love the fact that there is a word for this type of habit, but I call them 'bedside table(s)' (less philosophical, more practical). So even if I don't read them for years, they fulfil a purpose. But of course, I have all intention to read all of my books. Eventually.

So, while my pile of books to read next to my bed is growing fast, I find other ways to justify coming home with more!

And so there are books I buy for gifts! So much fun:-) There are still a few days left...



... and this is my gift collection so far for family and friends this holiday, 2018!

What are you giving this year?


     

Monday, November 19

Weekender Books - November 2018

Weekender Books - November 2018



Sometimes I come across books that are so enthralling that I can't help but devour them in one weekend (even on busy weekends). Because these books are funny, witty or simply magical, I want to give them a special space (other than my fabulous new library!) Besides, they are 

MOOD books 

and come with a recommendation!

Here is first instalments of books that I have read in the past few months and which deserve to be included in this special list:



Piglettes by Clementine Beauvais
The Hunger Games by Suzanne Collins
Finch by Penny Matthews
Joel and Cat Set the Story Straight by Nick Earls and Rebecca Sparrow




Piglettes by Clementine Beauvais (Pushkin Press, 2017)


Funny,  so funny and witty - dealing with serious issues such as body image, bullying, as well as war and post-traumatic stress disorder in a very easy going way, keeping the integrity of these themes and making them even more 'real' that way. Comedic optimism, feisty girl power and bicycles - what more do you need to take on the world of haters!

πŸ˜‚πŸ˜‚πŸ˜‚πŸ˜‚πŸ˜‚ 
Recommendation: Read when in serious need of a dose of I-can-not-take-on-this-cruel-world-right-now-but-have-to. Uplifting.



The Hunger Games by Suzanne Collins (Scholastic, 2009)


I didn't get into the movie at first and had to watch it a second time to see the postmodern take on a dystopian society that is not that dystopian at all but is reminiscent of the spectacle of Roman Colosseum, appeasing the masses - Roman citizens only, not their slaves or their subjects in the colonies. I liked the film well enough to read the book afterwards (not the usual order for me). The book                                              didn't disappoint.

😎😎😎😎😎 Recommendation: Read when depleted of any will-to-action-anything-at all (not only for when you are supposed to edit your WIP!). Great motivation booster - do or die!



Finch by Penny Matthews (Walker Books, 2018)

What a gentle, 'quiet' book about unusual and perhaps too often considered as unlikely friendships. I sooooo can relate to the role nature plays in this beautifully told story about a girl who doesn't fit in! On her exploration into the woods, she not only finds a friend, but herself.



😌😌😌😌😌 Recommendation: When the no-one-gets-me-because-I-see-ghosts mood hits and the world around you spins too fast. Soothing. 



Joel and Cat Set the Story Straight 

by Nick Earls and Rebecca Sparrow (Penguin Books, 2007)


Clever concept of online/ off-line interactions that determine the way the two protagonists - you guessed it - Joel and Cat, perceive each other and feed of each other. Great use of inner and outer voice in this 'tandem' story.

πŸ˜‰πŸ˜πŸ˜πŸ˜πŸ˜† Recommendation: Feeling nostalgic? Want to revisit your high-school-years-angst-anger-anguish and douse it with words? This is the book for you.

Wednesday, November 7

Twig - Picture Book Review


Twig


(Scholastic, 2016)

written and illustrated by Aura Parker

Tags: Picture books, Reading, Insects, being invisible, friendship, 


This is one of the books I brought home from the Kids & YA Festival at Writing NSW 2018 that made me all excited to go home and read. Funny thing was, I saw the author, Aura Parker, at the first panel session I attended. She stood in the corner, drawing a picture on a paper that was propped up on an easel. I wasn't sure why she was doing that. The other four panelists, Paul Russell, Dub Leffler, Kirli Saunders and chairing Sarah Davies were having a good time talking about all sorts of themes picture books tackle these days, including dementia identity and freedom., while she was quietly drawing in the corner. I mustn't have paid attention, because after ten minutes or so, Dub Leffler swapped places with her. (I think people could win them in the raffle tickets at the end of the day. I bought some but didn't stay till the end and so I'll never know - I could have ended up winning one of them!). I realised later, Aura standing in the corner, isolated and seemingly not part of action like  the rest -- mirrored, uncannily, Heidi, the heroine of her delightful picture book.



The Plot

Heidi is a stick insect starting at a new school. Her problem is nobody notices her. Not even the teacher because Heidi just blends in too well with her surroundings, because that's what stick insects do -- brown, long and thin, they are masters in camouflage!


"Nobody saw her at lunchtime. Nobody saw here, here... there...or anywhere."

Heidi is not included in the learning, the playing or anything else around the school grounds, which makes her sad. She remains invisible until she gets mistaken for a twig to be used in a school project, she finally speaks up:

"I'm NOT a twig. I'm me! Heidi!" 

and ta-da! She speaks up and is no longer invisible. She makes sure that everyone will notice her from now on and the whole school is in on it and all the forest children weave a scarf as a welcome gift and as a way to de-camouflage Heidi! Now she can join in the playing and learning and discovers her hidden talents along the way.

Theme(s)

Being different and shy at the same time can be overwhelming -- especially on your first day at a new school. Yet, sometimes you gain more by stepping forward and make your voice heard!

Heidi doesn't get only overlooked because she looks like a twig and blends in in the woody environment too well. The reason why nobody notices her is because she doesn't make an effort to stand out. 

"Bug school is abuzz with hundreds of shiny, scurrying shapes.
 But not one bug noticed the new girl, Heidi, 
tall and long like the twig of a tree. "

Heidi's story shows that sometimes we need to step out of our comfort zone and speak up - even if we are shy, every now and then, we need to do things differently to what comes natural to us. And once people get to know us, being different can come in handy for all--and well, 'bridge'- building when we need one! 

The start of any friendship takes one step. Sometimes this step needs to be ours. And when we do, we get rewarded with new friends --and when we're super lucky with a new scarf!

Pictures

The world of Heidi's new school of bugs is softly painted in pastel tones. The school yard in the woods, is filled with life, fun and games and invites to look for where Heidi might be 'hiding'.

This is nicely contrasted with Heidi's inner feeling of loneliness, depicting her and her shadow surrounded by nothing but white space:

"One, tow, three. One tow three. Why won't someone play with me?"
Bug school looks like so much fun and there is so much detail that it's easy to get lost in the delightful images.

Words 

Hiding Heidi -- is there a better name? 

TWIG is a beautiful book - to read and to just look as the pictures on each page tell their own story. It is a book that I wish one could physically dive into and play with all those cute little bugs of all sizes, shapes and colours in this perfect little bug world. They look like they're having the best time of their lives!


Here are fun links to the fabulous book trailer and Aurora Parker drawing Heidi the stick insect 



Tuesday, November 6

Question time #1 Social media etiquette: To Correct or Not to Correct 



To correct or Not To Correct?


On the internet, we usually look for answers to our own questions. Sometimes, other people's questions bring on new questions. This is why I decided, I want to have a place where we can talk about things I, for one, would like to get an answer or two. My kids often laugh at my inadequate social media reactions and so my question today:

Q: Is it rude to correct someone's pronunciation or is it helpful, even an act of collegial kindness on social media, to tell people when they are mispronouncing names?


Today, I came across an Instagram post where the author asked, or rather in a sort of throw away fashion, stated that she was unsure about the pronunciation of some famous publisher's name:


Alfred A Knopf

She decided that it was probably ok to drop the K and P, so she'd say N-O-F. Now, this of course makes sense when you are an English speaker, but the name is German and you pronounce every single letter: K-N-O-P-F (knΙ”pf). It also means button.

She didn't ask directly -- the question was rather implied and certainly not directed at me -- I don't know and never heard of her until today. 

So why am I hot and bothered (to the extend that I write a blog post about it)?


Well, here is why:

a) Knopf is a name but also a noun. If the author of the post would go to Germany, Switzerland or Austria and ask for a button, pronouncing it that way--that could be potentially embarrassing for her.

b) I love the origin of words and names. 

c) A few months ago, a young emerging writer I work with told me how embarrassed she was when she found out how to pronounce 'Hachette' ([a.ΚƒΙ›t) (Yes, hachette means hatchet but that doesn't mean it's pronounced that way.

Anyway, someone responded and corrected the pronunciation which was different to the author's but equally wrong. And so, my teacher's hat itched and I nearly corrected the person who--with seemingly great authority--corrected the author. In a real world situation, I would have done it, no question. On the internet, however, it seems not quite the right thing to do and so I didn't.


Would you rather stand corrected then going on for years, saying a publisher's name wrongly?


On the net, BOOK RIOT sheds some light on some of the more difficult publisher names out there, but forgets to drop the 'H' in Hachette as someone also pointed out in the comments! It's difficult to get it all right, I guess...

Any thoughts?